Tuesday 30 September 2014

by Alan Swyer

“When are we going to have lunch?” Nadia asks for the third time in the last ten minutes.
“We'll be leaving for dinner right away,” my father replies as he's done twice before, his patience clearly wearing thin.

We're seated in the living room of their apartment in Boynton Beach, Florida, a nicely decorated place that only mildly suggests that it's part of an assisted living facility.
“Why won't you let me have lunch?” Nadia pleads a moment later, her face showing signs of confusion rather than hunger.

I like Nadia.  Though technically my stepmother,  I've always preferred to think of her as my father's second wife, given that I was already married and had two kids at the time I was Best Man at their wedding.  But now I'm witnessing for the first time what my father never quite managed to explain during our cross-country calls.  The woman he's living with, with whom he has shared what have been- without a doubt- the happiest years of his life, is barely the same one he married.

Nadia's decline, I'll come to understand as I get more information, began with the death of her son, whose attempt to be three different people at once -- a biker, a hipster, and an attorney -- ended tragically, with a fatal overdose.  That was a shock from which Nadia never fully recovered, and it was followed by a bad fall, which further accelerated her departure from reality.

The result, I see all too clearly, is a situation with little chance of improving.  The good times together are now consigned to my father's past in the same way as the misery he endured with my mother.


During my childhood, my father and I were never close.  He worked ridiculous hours in an ongoing attempt to satisfy a woman for whom satisfaction was impossible, then distanced himself even further from family life because of migraines that disappeared only once he was widowed.  When prodded into some facsimile of what my mother called manliness due to what she constantly termed my “impossible behavior, my father would occasionally threaten physical violence, which failed to induce fear or obedience, especially once I'd discovered boxing.  At that point, after daring him to try what he called “getting tough”, the threats changed from hollow to nonexistent.

Yet despite the distance and differences between us, what I've come to realize is that, in a curious way, I started follow his example early on.  Like him, I did everything imaginable to stay out of the house as much as possible, then I topped him by running away on more than one occasion.

When, at the age of seventeen, I departed for good, my parents, too, relocated.  That led to a joke they never appreciated:  that their only mistake was in letting me get my hands on the new address.  But their move only reinforced my feeling of having no place to call home, since I knew no one in the Jersey suburb to which they moved, other than my mother, father, sister, and dog.  And only with the dog did I get along.


Though I have little interest in aphorisms, there's one that does apply to my mother:  “People don't change, they become more so.”  Never easy, she became, as the years went on, even more demanding, more difficult, and more impossible.  Thanks to a mental ledger she cherished of slights both real and imagined, over time she distanced herself from scores of friends and family members, diminishing not just her world, but my father's as well.

Not surprisingly, our relations were marked by periods of estrangement, which grew longer once I, having moved 3,000 miles away, was busy with a wife and kids of my own.   Even our sporadic ceasefires were short-lived, thanks to my mother's barbed criticisms of what she called “California child-rearing”, plus her one-sided comparisons between what she called my “poorly raised sons” and my sister's “little angels”.

When I got word, after a particularly lengthy period of silence, that my mother, a lifelong smoker, was hospitalized due to respiratory problems, I tried my best to put the past behind.  She was in Intensive Care by the time I got to Florida, fragile and frail, sustained only barely by an array of tubes and other devices. 

Putting on a smile as best I could, I entered her room with a bouquet of flowers, told her I was pleased to see her, and announced that I would try to round up other family members who, like her, had migrated south.  But when I mentioned one particular cousin from her generation, my mother grimaced. 

“What's the matter with Sylvia?” I asked.
“Everything!  She's a monster!” my mother sneered with as much force as she could muster.
“She's always been a sweetheart,” I replied.
“Shut up!” my mother snarled, her countenance radiating a kind of venom I hadn't seen in ages.
I studied her angry face for a moment, then left the room without another word.
“Why are you leaving?” I heard my father ask when he stepped into the hallway while I was headed toward the elevator.
“Want the truth?”
“Okay.”
“Because I want to remember her in character,” I explained. 
My father took a moment to let my words sink in.  Then, to my eternal surprise, he nodded knowingly.


That, to my surprise, was the beginning of a new and infinitely better relationship between my father and me.  With my sister caught up in her own private melodrama of mourning and grief, alternating crying fits with expeditions for spa treatments and new handbags, it was on me alone that my father relied.  I was the one entrusted with the task of making arrangements at a mortuary.  Then, once he made the decision to have the burial in Florida instead of in the family plot in New York, it became my job to find a cemetery.

And it was to me that my father expressed his dismay once everything was over and done with, wondering why so many women - some who were known to him, others total strangers - showed up at the funeral, bringing containers with coffee cakes and danish, which they thrust into his hands, plus phone numbers, which they stuffed into his pockets.

“What do they see in me?” my father asked when we were alone that evening, munching with little zeal on turkey sandwiches with cole slaw and Russian dressing. 
“You're a great-looking guy,” I replied, willfully overstating the case.  “You're bright, good company -”
“That's not enough,” my father protested.
“Are you kidding me?”
“What's that mean?”
 “Dad, you're alive, you're male, and you've got a valid driver’s license.”
“So?”
“In the land of widows, you're king.”
My father pondered that thought momentarily, then surprised me with a chuckle.

My sister was aghast when, after a difficult few weeks of being alone, our father actually called a couple of the women who had given him numbers.  “What would Mom say?” she complained when she broke an extended silence between us.
“The way I see it, there are three choices.”
“Okay -”
“Worry about Mom -”
“Or?”
“Move to Florida to be with Dad.”
“Or?”
“Watch him die of loneliness.”

Once it became clear that Nadia had become first among the many, my sister went into overdrive.  From that point on, it was nonstop belittling, mocking, and knocking, all of which, to her chagrin, backfired.  Instead of heeding her negativity, my father did what he never dared do with my mother, turning a deaf ear to the badgering and bullying.  More than ever, he took to relying on me when he needed advice, or help, or simply someone with whom to do something new for him: shoot the breeze.


But that was when life was good, and Nadia was Nadia; when she and my father had a future that seemed, if not lengthy at their age, at least reasonably bright.  Now I'm in Florida, and their life together seems hopelessly grim as we're led to a table in the dining room at their complex.

Immediately my father tries to take control of a world that, for him, is otherwise falling apart.  “Every night there are three specials,” he takes pleasure in informing me, “a meat, a chicken, and a fish.”

Grabbing the sheet of paper listing those choices, he peers at it for a moment, then looks up with a quizzical look on his face.  “What's Rigatoni Bolognese?” he asks, struggling with the pronunciation.
“Tube pasta with a meat sauce.”
“Couldn't be.”
“Whatever you say.”
An awkward silence falls over us until my father flags a busboy.
“What's Rigatoni Bolognese?” my father asks, pointing at the words on the sheet.
No se, senor.”
“Could it be meat?”
Quizas,” answers the busboy with a shrug.
“What's that mean?” my father asks me, never having picked up the slightest bit of Spanish.
“Maybe.”
“See that, Mr. Know-it-all!” he exclaims triumphantly.  “A meat, a chicken, and a fish.”

Aware that my father desperately needs any victory he can possibly get, I take a deep breath, then feel eternal gratitude when Nadia bails me out by changing the subject.
“Am I ever going to get lunch?” she asks plaintively.


That night, as I lie in bed trying to sleep more than a few minutes at a time, I can't stop my mind from racing with the strangest combination of thoughts, memories, notions, and fears.  For no reason that makes any sense to me, I find myself first remembering, then pondering, the fact that my father has always refused Novocain at the dentist's, no matter how serious or painful his condition.  And I think back on how peaceful our apartment would seem when I was young on those mornings when my mother was ill or visiting relatives, which meant that it was my father who made breakfast. 

I go on to recall how shattered I was the day I finally gave up playing the piano, due to my mother's insistence that I only practice immediately after school, which meant no sports or fun with other kids, and that I only play her kind of music, not mine.

Those memories lead to recollections of lying in bed with a radio tucked under the covers, escaping from the world of my parents into one peopled with the likes of Big Joe Turner, Big Maybelle, Dinah Washington, and Little Willie John.

Tossing and turning in a futile attempt to quiet my mind and get some rest, I finally give up in frustration, then wonder why it is the world knows so little about people like Slim Harpo and James Carr, and why it cares even less. 

Then I ponder why it was that my father was so incapable of standing up to my mother. And how in the world he'll manage to survive if Nadia's deterioration continues.

Still finding few answers, I start imagining what the world will be like by the time my kids are grown.  And what kind of place, within that world, they'll make for themselves…  And whether they'll be happy, and have satisfying lives, and perhaps even kids of their own.

By that point it's 3 A.M., and I'm drenched in sweat.  Almost in a frenzy, my mind drifts into a vision that's haunted me forever - one in which I'm old, lonely, unwanted, and unloved, with everything I've accomplishment, and all sense of personal history, completely obliterated. 

And I can't wait for the night to end.


With family waiting for my return to California, and work calls mounting, I'm back on a plane a day later, feeling that I should make more - and more frequent - trips to see my father, rather than simply doing so when I have business in Miami.

What I don't know then is that a next trip will never come - at least not while father's still alive.  Instead of being left alone with a fading and failing wife, my father will keel over suddenly several days later while peering at the sheet of paper listing the evening's choices of a meat, a chicken, and a fish.  Instead of declining slowly, he'll be the victim of a fatal heart attack that spares him the indignity and suffering of even a short hospital stay.

The funeral will be short, sparsely attended, and completely misunderstood by Nadia, who will repeatedly call his name, wondering when she will finally get lunch.

Then I will again leave Florida, thinking about things my father and I said to each other over the years -- and more poignantly, the volumes that went unsaid that went unsaid.
  
Alan Swyer is an award-winning filmmaker whose recent documentaries have dealt with Eastern spirituality in the Western world, the criminal justice system, diabetes, and boxing. Though American, he also writes regularly for a British music magazine called "Blues & Rhythm." His fiction has appeared in Ireland, England, and in several American publications.

Saturday 6 September 2014

Artwork by Michael O 
(featured on www.hashthemag.tumblr.com)


Clay-eyed and metal-skinned executioners

breaking the body of the earth,


machinery rattling through the night,

workers aged by the wars of profit.


One man stands alone,

dreaming of an ending.


It’s happening, 

all around.

-Janelle Rainer
Janelle Rainer is a 24-year-old poet and community college teacher living in Colville, Washington. Her work has appeared in Harpur Palate, Steam Ticket, Script, Sugar Mule, and elsewhere. She earned an MFA in Poetry from Pacific University in Forest Grove, Oregon.​